Le bouquet

Guillaume Apollinaire created the calligram Le bouquet for the catalog cover of his friends’ art exhibition: Peintures de Léopold Survage. Dessins et aquarelles d’Irène Lagut. - Paris, 21-31 janvier 1917.


The original publication seems to be a very rare treasure for visual poetry: 12 calligrams, printed in facsimile after drawings by Apollinaire, never before published.


More info:

Comments

Post a Comment

Popular posts from this blog

Bembo's Zoo

Image
by Roberto de Vicq de Cumptich Very creative calligrams of animals using the font Bembo. The book published by Henry Holt and Co. is available on Amazon . But it's very interesting to watch the same calligrams "animated" on the website BembosZoo.com . Here the use of Flash, motion and sound add more character to each animal/calligram. "This high-concept abecedary, the picture book debut for de Vicq de Cumptich, should delight collectors of stylish picture books and aficionados of the graphic arts" —Publishers Weekly "In this first book for children, de Cumptich,... has created an abecedary of animals made entirely from bembo letterforms and punctuations marks-nothing els. And you know the conceit works." —New York Times It's just a joy to see these calligrams. Bravo Roberto!
Read more

Forsythia

Image
Finally spring arrived showing its first splendor with the forsythia! I was walking this afternoon and saw the yellow forsythia around the corner... it reminded me the famous concret poem by Mary Ellen Solt, Forsythia, composed in 1965 and published in 1966. “The design of Forsythia is made from the letters of the name of the flowering shrub and their equivalents in the Morse Code. The text is part of the design.” ~ Mary Ellen Solt " Forsythia by Mary Ellen Solt was typographically concretized by John Dearstyne. In the introduction to Flowers in Concrete , George Zadek writes: “Traditionally the typographer has given form and order to words, thus serving both the writer and the reader. His problem is mainly one of clarity of communication, literary meaning, and hopefully aesthetic contribution to the art of the printed page. When publishing concrete poetry, it is sometimes difficult to draw a line between the contributions, as well as the final responsibilities, of the poet and
Read more